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Newsletter July 2002

Beware the dreaded Black Hole

Greetings,

Recently I was informed that one of our wines was off and in order to cut their losses they drank the whole case immediately. Although I don’t altogether blame them, for reasons I will outline below, I feel that this decision was not the smart one.
* * *
How often have you opened a bottle and decided that you wished you had done it earlier or conversely you wished that you had left it longer?
In the second case the night does not have to one of despair and desolation. Sure leave the rest of the box for a later time but with the bottle that you have taken the cork out of give it a little (or lot) of air time. This does not mean just taking the cork out and putting it by the heater. The wine surface area exposed to the air is negligible and not a great deal happens. Give it heaps! From a great height pour the entire contents of the bottle into a decanter. Has the smell improved? More fruit but not enough? Then do it again and, if necessary, again. Then put the decanter near the fire for a while. The effect is not quite as good as a few years bottle age but, with a wine with any sort of structure it usually helps. Or , if you aren’t initially game to commit the whole bottle to this inhumane treatment, put a little in a glass, cover it with your hand, and give it a massive shake. Then smell the contents. A milder alternative is to take a glass out and leave the rest of the bottle until the next day.
* * *
How do you tell whether it is too early or too late for a wine or put another way when is drink time. It is not as easy as it seems. Some wines may seem thin or dried out and one assumes that they are knackered. This is not necessarily the case. Most wine drinkers have heard of a wine going through a tunnel (or entering the black hole). Often with a white like a chardonnay it is at about a year after bottling and may last a varying amount of time. I suspect a wine enters the tunnel at the point where it has lost most of its primary fruit and leaves it when it has had time to pick up secondary characters. Of course a wine needs some structure: tannin, acid, sugar, SO2, or even sulphides to ensure that it lives long enough to emerge from the tunnel. At that point the structure component comes more into balance with the (complexed) wine. In the case of tannin, the actual level of tannin 
in solution actually falls and fruit components become more evident. I have seen (10yo) wines that have (remarkably) lost all their tannins and pure (Ribeena in one case) fruit characters exposed. During their time in the tunnel they have seemed quite dumb. So there is a way to estimate drink time. If the wine is unyielding but has no structure components as listed above then it has probably had it. If it has structure of some sort there is a chance, particularly in the case of tannin, that it will come right. Giving it varying degrees of air time as outlined above will give some indication of its longevity and maybe even give one hope for its future. I met a guy once who claimed that he had a formula for bottle age as a function of time spent in a blender. It seems a bit bizarre but it might not be far off the mark.
* * *
In the case of red wines one of the more important factors determining tannin levels is skin time, the total time spent on skins. Generally speaking colour levels continue to increase up to day 8 or so and therefore , unless you want a wine for very early drinking one may as well leave it up until that point. After then colour drops marginally, while the tannin level continues to rise. Most wine for ageing has skin time between this point and about a month. The colour is stabilised by the tannins so there are benefits in some extended maturation on skins. There is a trade off between early drinkability and stability. In general our wines spend two weeks on skins which usually gives a tannin level that I think is appropriate and also gives a good environment to at least partially complete malolactic fermentation. There have been a few exceptions to this rule. In 1991 the Pinot stayed on for 3 weeks and developed a massive tannin load On observation of this the Cabernet, which was picked later, was only allowed 3 days on skins - and was equally tannic. Such was the (very hot) year. The evolution of those wines has been similar. It is only in the last year or two that the primary fruit has begun to peek through. But it has - and big-time. The other exception was 1997 when the Pinots were left on for a month with the consequent high tannin levels. The theory was, and it is well documented , that the tannins eventually build up to a point were they polymerise and fall out. That was the theory! The wines , which were in the first couple of years reasonably enjoyable for lovers of big tannic wines, have now entered a tunnel where they are going to be for some time. In retrospect it wasn’t that smart a thing to do because when one drags a five year old wine out of their cellar they expect it to be at least showing a little indication of where it is going.
* * * 
But now a little more about Black holes. There has possibly been a heap written on this subject because the problem is extremely widespread. The wines outlined above are in exalted company. At Christmas time we had a couple of good 1994 Bordeaux Decru-Beaucaillou and Cos D’estournel , wineries right up in the top of the pecking order. Robert Parker, who is not known for a high tannin tolerance declared them stars of the vintage. When we drunk them with both it was the same : “ There is no one home - Come back in 5 years - minimum!” I guess I have always known of the black hole phenomenon without giving it much thought. With my own wines, I sample them often in the first couple of years (a) because they are new and I want to become fully aquainted with them and (b) because we are selling them there is always a bottle or two open. After this time new wines enter the scene and if one wants to drink an old one it may as well be a fully mature one.
The same is true of the wines that I buy. I sample them to find out what to buy and, because I have a preference for properly structured wines that go the distance, I tend to let them do just that, and consequently not taste them in their black hole phase.
I have a (possibly totally spurious) model for the black hole in red wines. They are like a Hubbard serial with its raisins and yoghurt covered raisins YCRs. The wine has its Fruit goodies FG , little tannins LT and its Tannin Covered Fruit Goodies TCFGs or TCY(ummies)s for short. During the first stage of development of a wine the LTs disappear at a faster rate than the FGs so that at about three years the wine tastes pretty good. Then the FGs disappear leaving the rather harsh exterior of the TCYs. This coating is breaking down as well but it is taking its time. The wine has now entered the black hole. Eventually the break down is complete and the FGs at the centre of the TCYs emerge and it is all happiness again. As a big bonus, the wine, having taken its time in getting to this point is in a nice reduced state and probably has an extremely good potential lifespan, during which the remaining FGs will be converted into something quite different.
The concept of a black hole does not just apply to red wines. A traditionally made Semillon from the Hunter Valley should, in general be drunk in its first year or after five. In the intervening time, this high acid, low fruit variety is simply not home. Why plant a high acid, low fruit variety at all you may ask. Well the proof is in the pudding. Old Hunter Semillons have often been confused with top flight Burgundies , different variety I know but the aged examples can be similar. One of the very best examples of these is Tyrells Vat 1 Semillon, which is available (in limited amounts) in New Zealand. To my palate , contrary to the general rule, it would give any New Zealand white a run for its money.

* * * 
So to a drink time schedule for the Pinot Noirs.
I know nothing about the 1989 or 1990. I do not have any but they were both alive and well a couple of years ago. The 1991, as mentioned above, has really hit its straps. It will drink well from now for a few years. The 1993,1994 are much the same but give them air time (just one decant should do). The 1992 is still closed, needs severe air time but promises to be magnificent(We had a 9 litre for Michael’s wedding a couple of years ago and it was great). 1995 was a light year and although the wines are in good stead and may last for ages, they taste good now so drink them. The same for the (three) 1996’s. None in 1998. The 99’s are starting to taste quite nice by now but they too will probably enter the tunnel in the next year or two. After that they will need at least three years or so. The 2000 is reasonably approachable already, especially with air time. It is, at this stage at least, quite a different beast than anything before it. It too will probably enter a tunnel at some point but I suspect that it will not be as long or as dark in there.. That brings us to the problematical 1997’s , as mentioned above. They will probably need another five years, so if you can’t wait that long, or have consumed yours already , without satisfaction, then get in touch and I will try to work something out. One knows that nothing is as certain as death or taxes, but I am confident that these wines will have their day. The reason for this is the fruit that went into them. It was a very good vintage.
And drink time for the Cabernet Sauvignons.
I have not tried all the Cabernets in recent times, but being Cabernets, their longevity is not in question. The 89, 90 and 94 are fully mature, lovely wines. The 91 is a big beast, just out of the tunnel. It will live a long time. The 92 and 93 I tried last night and are much as I would have expected. They are both emerging from their respective black holes and another two years should complete the process. At the moment ,while still having reasonable tannins, enough of the TCYs have broken down to reveal some lovely primary fruit. They are not the biggest or most intense Cabernets in the line up but should provide satisfaction from now on in, especially with food/air time. The 97 and 98 are quite tight and should be given more time. The 99, a big wine, is tasting good right now but I think is probably headed for the tunnel soon. The 2000, just released, is a finer sort of wine, reflecting the vintage. The tasting notes are attached. It is probably one to drink before the 97, 98, or 99.
There are also two years of Shiraz, 1998 and 2000. I haven’t had all that much experience of this variety and will have to wait a little while to see what happens. They are not as tannic as the other two varieties but I suspect that they too are going to be long lived. After seeing the benefit of a couple of years in the bottle for the 1998 I would not be rushing out to demolish the 2000s . The 1998 tasted wonderful to me a couple of months ago and I am interested in tracing its development. With only 9 bottles in my cellar I am going to have to be very careful.

That’s all for now..
Dave

Newsletter July 2000

Greetings,

With August almost apon us I’m aware that if I don’t send something out soon one of the wines in particular will have sold out before you get a chance at it. It is not that we have had it bottled for a long time, only about a month in fact. However a small vintage together with the 98 Pinot not being up to scratch, good en primeur orders and an export order have left us in short supply. This wine will not last out the month!

I have been carrying around the ideas for a newsletter for some time now, ever since a couple of wine writers, one from each side of the Tasman, supposedly proclaimed that a certain Cabernet Sauvignon was probably the best that New Zealand had produced so far. This amazing statement - there have been quite a few of these by various writers in recent times - has made me think What is good Cabernet? and Who says so anyway?

Both these ideas are worth exploring and I shall do so at some other time but at the moment other things must take precedence. A couple of observations though are in order. In my humble opinion a Cabernet Sauvignon that weighs in at 14% alcohol is not even worthy of a good classification, and is certainly not great. One of the significant advantages that New Zealand has over Australia in the growing of this variety is the cooler climate (and longer hang time). This enables development of full (intense) fruit characters and a certain degree of fineness. The hotter climate examples reach higher sugar levels in achieving the same physiological ripeness and are usually coarser, which, when combined with the alcohol burn, leads to a wine that I am not personally enamoured with.

One interesting side of the above little pronouncement was the activity of the punters. I was in a prominent Wellington wine shop at the time and witnessed the lemmings - ten cases here five there etc. and the whole lot (either 700 or 900 cases from memory) was gone in two days. Not that there is anything wrong with this in one sense. Most would be happy with their purchase - after all it had clearance from above.

The thing that does worry me is that the very advantage that we do have in the production of sophisticated Bordeaux style wines is being marginalised. This does not end with Cabernet Sauvignon. Several NZ Pinot Noirs of the hot climate variety have achieved prominence lately, just the sort of wine they can produce over the ditch, much more cheaply I expect. Over ripe fruit and a truck load of toasty oak may be what the punter wants but it is hardly very sophisticated!

OK not everyone has the same opinion! Is the subject of wine quality purely subjective or is there some degree of objectivity involved? Are some people more qualified than others to give an opinion? It is a difficult subject but I guess the intelligent way to form ones choices is to see what more than one person has to say before deciding. (If you can be bothered that is - maybe I know what I like(do you?) is sufficient for you) In time your choice is as valid as anyone else’s for at least you know why you made it.

From my point of view we knew the types of wine that we would like to produce (and drink) before we moved back here (from Oz) nearly 17 years ago. We had lived (and drunk wine there) for a similar period and while I can say that we enjoyed the Australian styles for many years as time went on we gravitated to the cooler climate (then old world) styles. I know of several people now who, having discovered the virtues of (good) Kiwi wine, have moved on and sold off their Aussie collections.

But there is also life beyond Kiwi styles too. Of course there are wine styles for all occasions but I think that when this preoccupation with fruity up front styles is at least partially modified in this country then more wines will move into the higher plane reflected in the old world styles. The good ones at least are in general more intense, subtle, complex and fine. What else do you want?

What about the present offerings? Michael has produced some tasting notes which are included on the back of the order form. I would say that in terms of accessibility the 98 Moutere Cabernet Sauvignon is the top of it’s line, as is the 99 Front Block Pinot. The fineness and abundance of tannins in these two wines is phenomenal. You can enjoy the Cabernet now (two years in the barrel certainly tames the tannins somewhat) and the Pinot is not far away. For those that normally prefer the Back Block, don’t shy away from this excellent wine. Needless to say these wines do not have to be consumed in a hurry. As I mentioned earlier, one of these two wines is almost history so that if there is one that you can’t live without please get back without delay. Those that have visited the winery and have tasted it out of the barrel know which one it is, although I can assure you that the other one is just as good.

The other new wines are described in the tasting notes.

Also you may like to consider the merits of the en primeur system. Not only do you save money on these wines but you also guarantee supply which I see as becoming tighter in the years to come. (production levels of these wines are pathetically small)

That’s about enough from me for now. I will try to get around NZ shortly to show you what these wines are all about. Until then all the best.

Dave


Newsletter November 1999

Greetings,

It’s been a pretty fine year! Although perhaps a little early to tell, the 1999 Pinot and Cabernet look outrageously good, the latter being a dark shade of black with just a touch of macabre purple. But first we have to get the 98’s out of the way. There has been a mixed bag here; very good Cabernet and Shiraz, not so good Pinot Noir. I think that it just got too hot and we ended up with stewed jammy flavours more reminiscent of an Aussie Shiraz. The Cabernet has not yet been bottled so those with en primeur orders on the 98’s will have to wait a little longer and those who selected Pinot as one of their options will have to think again. I will get in touch about such matters.

Here are some tasting notes on the new wines, the first two supplied by son Michael who is now employed as winemaker at the Milbrovale winery in the Hunter Valley, N.S.W.

1998 Springrove Shiraz: Warm spicy nose, cloves, cinnamon, allspice – very lifted bordering on floral, with a touch of violets. This carries through to the palate, which has meaty, savoury characters reminiscent of a young Cote Rotie. Typical acid Shiraz palate structure, well balanced, pleasant to drink now but with a projected long life ahead.

1998 Richmond Riesling: Clear pale straw colour. Very varietal piercing nose of apples, lime and a lot of rose. The nose is intense and complex but quite restrained. The palate is divine, showing a lovely balance between acidity and sugar. It is very reminiscent of a Germanic – Kabinett style with lovely restraint, crisp chalky, limey flavours. I suspect that with another couple of years the wine will open with some of those German hoppy flavours and be unstoppable.

1998 Crusader: Equal amounts of Pinot, Shiraz, and Cabernet have produced a plump rich wine with very good length. Each variety contributes its particular attribute; spice from the Shiraz, Blackcurrant and Boysenberry from the Cabernet and Cherry from the Pinot. The lovely tannins from the Cabernet are balanced by the other two varieties, yielding a wine that is not aggressive but is not wimpish either.

I have reluctantly joined the 20th century, not only having obtained a computer with it’s wonderful world of Email and temptations from Amazon, but a Webpage to boot. With so many of our wines very much in the land of the living I often get asked about the present status of this or that. This project is going to take some time to complete. So far my rough notes are provided for all the Cabernet and all the Pinot vintages.

Independent reviews are included as I can get hold of them. Well we can provide some notes of a recent tasting of our Pinots by Peter Saunders, well-known Auckland wine writer (A Guide to New Zealand Wine).

I think that his preference is for the New World style*, rather than ours, which leans rather heavily towards the traditional. Idiosyncratic is a strange word to use in this case – it depends whether you view the world from a New Zealand perspective or something a little more global.

There is of course at least one good reason that the New World style has evolved and it has absolutely nothing to do with the superior technology/knowledge that has become available in these new wine-producing countries. It is all about cash flow and instant gratification. There is nothing wrong with this – it makes perfectly good sense – most people are simply not into doing a decade of research before they understand the ins and outs of wine – and they are certainly not going to put a bottle away for that long.

However there is a small group of people to whom wine is some sort of crusade and, having spent some time at it, start to appreciate the subtleties inherent in the classical style. The knowledge they have gained corrupts them and the New World style becomes a poor second best. In the past these poor souls could have received their daily /weekly fix by purchasing imports. Unfortunately the price of the better examples of these have rocketed over recent years. They need some locally produced wines that are similar but affordable.

The good news is that New Zealand is capable of producing some very good examples of these classical wines – it already does even if that is in limited amounts. If it takes some time for the local palate to catch up to them there may be a place for them overseas. The French do not have copyright of this (superior) classical style.

Peter thinks I’m making up this reason for tannin. I could have got a numberplate reading ELEGANCE but it has too many letters and in view of our pink capsules might give the wrong impression. It is generally true however that wines that are closed in their youth, through tannin or acid, are the wines that achieve some degree of elegance and complexity as well as intensity There is a sort of fineness (in a viscosity sense) that generally only comes with age.

Finally a word about one or two of the wines. Although the 91 was not the best wine in the lineup – this year was probably a little hot for great Pinot – it is still a nice aged red. As wines get older they do lose their primary fruit characters but that does not make them any the less for it. Complex age characters take over and these can in themselves be marvelous. Old wine characters are something that not everyone enjoys – after all what experience of these do many people have? (aged wines that were designed to be aged) It was very interesting for me to taste all our Pinots together. The 92 and 93 were my picks but I have high hopes for the two 97’s. They are very intense, big tannins and they need time.

Incidentally, not much mention was made of the tannins prior to 96 – they do go away! On the accompanying sheet are Peter’s notes on one side and the website page on the other.

*** What a world of widespread styles and flavours we have here. It saddens me that some amongst us deny the style and character of NZ wine for what they see as ‘classical’ wines from long serving counties which are ripping out grapes because they have run out of drinkers. …………… Saunders on Wine Oct 99. Published by Clarity Publishing & Consulting Ltd. .PO Box 9527

Newmarket Auckland, email: winecast@extra.co.nz

Any remarks or suggestions please email: Dave@glovers-vineyard.co.nz

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